The eye has to travel

Built around movement, interruption and shifting points of focus, the series leads the eye through bodies, fabric, colour and fragmented space. Hard sunlight sharpens every surface, while red cloth repeatedly cuts across the frame — hiding, revealing and redirecting attention. The empty pool becomes less a setting than a graphic field of faded colour and geometry. Each image resists a single centre, creating a sequence that feels immediate, tactile and in constant motion.